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CAROUSEL

Performer Info

 

Album Information

 

Cast

 

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Story & Musical Numbers

 

Photos from LP & CD

 

 

 

 

 

 

 

 

 

 

 

 

Performer Info

 

SARAH BRIGHTMAN as Carrie Pipperidge

 

English-born Sarah Brightman (Carrie) made her! West End debut at the age of 13 in the Charles; Strouse-Lee Adams musical I and Albert. She was a; member of the original London cast of the Andrew; Lloyd Webber-T.S. Eliot Cats, then appeared in Gilbert and Sullivan's The Pirates of Penzance at Drury Lane and sang the role of Valencienne in the New Sadler's Wells Opera production of Franz; Lehar's The Merry Widow. Miss Brightman was also" a soloist in Lloyd Webber's Requiem, both in NewYork and London, and she won raves for her; performance as Christine in Lloyd Webber's London; hit, The Phantom of the Opera.

 

Surprise - Sarah Brightman may actually be the best Carrie on record. No other Carrie is so precise in musical values, with the manner confidently deployed, the characterization snappy, alert and fresh. Her tone is suitably tangy, bright and open. For once she is entirely within her realm as a character actress instead of the leading lady she feinted to be. Also, most remarkably, British Brightman impersonates a perfect American accent. Brightman really boosts the energy level throughout the recording: listen to her sassy, lightning-quick contribution at the beginning of "June," where she is bitingly brisk and edgy. This is a Carrie with spunk and personality - no twit, she. Reviewer: Niel Rishoi (Ann Arbor, MI USA  - from Amazon.com)

 

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Album Information

 

Released 1987 CD, LP Worldwide  7673262092

 

Recorded at Air Studios, London; March 9 through 13 in 1987 & at CBS.

 

Studios, London; May 1,1987

Recording Engineer: Keith Grant

Digital Systems: Sony 3324 & 3202

Digitally edited and mixed at Master Sound, Astoria, N.Y.

Engineer: Ben Rizzi

Direct Metal Mastering at Precision Lacquer, Hollywood, Ca.

Project Coordinator: Alexandra Smyth

Art Director: Vito Fiorenza

Cover art: monoprint & pastel by Irene Clars

Notes by Stanley Green

Royal Philharmonic Orchestra Paul Gemignani: Conductor I

Orchestrations by Colin Appleton, Antony Fones, John Gregory, Peter Hope & Roland Shaw, Music Preparation by Colin Appleton Music Services,  Session photos by Clive Barda, Reg Wilson & Steve Sherman, Special thanks to Joe Abend, Joyce Arbib, Paula Forrest, Merle Hubbard, Dean Kay, Jerry Kravat, lan Maclay, Steve Marcus, Barry Reiss, Myron Roth, Maxine Schrein & Robert Sugarman

MCA RECORDS

 

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Cast

CAST (in order of appearance)

 

SARAH BRIGHTMAN ............... Carrie Pipperidge

BARBARA COOK ....................................... Julie Jordan

SAMUEL RAMEY ......................................... Billy Bigelow

MAUREEN FORRESTER ............................. Nettie Fowler

DAVID RENDALL ........................................ Enoch Snow

JOHN PARRY ............................................ Jigger Craigin

 

 

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Please support my site & Sarah by ordering from Amazon  Listen to Samples - From AMAZON.COM

 

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Story & Musical Numbers

 

1. THE CAROUSEL WALTZ - (Orchestra)

2. "MISTER SNOW" - Sarah Brightman & Barbara Cook

3. "IF I LOVED YOU" - Samuel Ramey & Barbara Cook

4. "JUNE IS BUSTIN' OUT ALL OVER" Chorus, Sarah Brightman solo: Maureen Forrester

5. "MISTER SNOW" reprise' Girls' Chorus & Sarah Brightman David Rendall

6. "WHEN THE CHILDREN ARE ASLEEP" David Rendall & Sarah Brightman

1. "BLOW HIGH, BLOW LOW" Men's Chorus, John Parry & Samuel Ramey

2. SOLILOQUY Samuel Ramey

3. "A REAL NICE CLAMBAKE" Chorus, Maureen Forrester, Barbara Cook, David Rendall & Sarah Brightman

4. "GERANIUMS IN THE WINDER David Rendall

5. "STONECUTTERS CUT IT ON STONE" John Parry David Rendall & Chorus

6. "WHAT'S THE USE OF WOND'RIN' Barbara Cook

7. NEVER WALK ALONE" Barbara Cook/solo: Maureen Forrester

8. "THE HIGHEST JUDGE OF ALL" Samuel Ramey

9. reprise . .Samuel Ramey

10. "YOU'LL NEVER WALK ALONE" Chorus, Samuel Ramey & Barbara Cook

 

 

THE STORY - from LP

PROLOGUE

 

To the compelling strains of "The Carousel Waltz," the curtain rises on a section of an amusement park on the New England coast. It is May 1873. On one side the attraction is Mullin's Carousel, on the other a tent featuring The Beauties of Europe. Synchronized to the music, the pantomimic action involves fishermen, sailors, their wives and children, and young women from the local cotton mill all out taking in the sights. The merry-go-round revolves, three "Beauties" dance, and a juggler juggles. Billy Bigelow, the virile carousel barker, is watching the scene from his elevated stand. A girl flirts with Billy while other females look at him adoringly. Two girls from the mill, Julie Jordan and Carrie Pipperidge, enter and Billy's and Julie's eyes instantly meet. Suddenly, Billy is in a daze. Mrs. Mullin, the widowed owner of the carousel, Slakes the barker step up his spiel to keep people from being attracted to the rival concession. Enticed by Billy's words, all the girls line to buy tickets and Billy offers Julie his arm. The merry-go-round starts up again and Billy lifts Julie onto a wooden horse and leans against it, much to the annoyance of the jealous Mrs. Mullin. The fairgoers are now entertained by a ballerina and a dancing bear, the antics of a clown, and the return of the juggler and the dancing girls, while Billy moves closer to Julie on the revolving carousel as the music an ecstatic crescendo.

 

 

ACT I

A few minutes Hiion a tree-lined path along the shore, Julie and Carrie are upset because Mrs. Mullin, who has followed them, warns 'Julie to keep away from Billy Billy comes along, defends Julie, and Mrs. Mullin reluctantly fires him before stalking off. Billy leaves! to pack his things, and as the young women; sit on a bench, Carrie offers her assessment! of her friend's behavior ("You're a Queer? One, Julie Jordan") before confiding that fine has a;liill|" — "that young sea-faring bold! and darin' big, bewhiskered, overbearing darlin' Mister Snow!'

 

After Billy returns with his suitcase, the girls tell him that they work at Bascombe's Cotton Mill and live at the company's boarding house. Because they must be respectable, they have to leave to get back in time, but Julie jeopardizes her job by remaining with Billy. When Bascombe himself comes by, a policeman describes Billy as "a pretty fly gazaybo up from Coney Island," and Bascombe warns the girl about him. She still won't leave, and as the sun sinks, Julie and Billy shyly reveal their feelings toward each other, both in dialogue  and musical interludes, that lead up to thiiiP stirring romantic avowal, "If I Loved You."

 

It is June and Julie and Billy, now married, are living with Julie's cousin Nettie Fowler at Nettie's Spa on the ocean front. The sailors afJll thier women are preparing to go to a clambake on a nearby island; as the men heckle Nettie to get going, she explains their odd behavii! ("June Is Bustin' Out All Over"). Julie confides to Carrie that Billy has been out all night with an unsavory character named Jigger Craigin, a sailor who has just arrived on a whaling ship. She also tells her friend that Billy, who still has no job, has hit her but she knows it's just because he's unhappy about not working. As the other girls join her, Carrie again sings of her "Mister Snow" (reprise) who shows up to share with her his matrimonial, parental and business plans ("When the Children Are Asleep"). After they leafil Jigger leads the seafaring men in a spirited chantey ("Blow High, Blow Low"). With no one within earshot, Jigger urges Billy to be his accomplice in robbing old man Bascombe whom he knows will be carrying three or four thousand dollars that night. The plan is to gollfl the clambake, slip back to the mainland during a treasure hunt and commit the robbery, then rejoin the group claiming they had been lost cii the island. Billy, however, isn't totally convinced, but he has second thoughts when Julie advises him that she is to have a child. Aloft!! Billy is overcome with the thought of the new responsibility and pours out his feelings in the emotional "Soliloquy!' First he proudly antipi; pates what it would be like to have a son, then with mounting concern he realizes that he might have a daughter. At the end of the arialM!! near panic, he vows to do anything he can to get money so that his little girl will be brought up properly. Now in cahoots with Jigger, Billy takes a kitchen knife from Nettie's house. While Nettie and the crowd sing a reprise of "June Is Bustin' Out All Over" on their  the clambake, Billy and Jigger join them 'as the curtain falls.

 

ACT II

 

That night on an island across the bay, the men and women relax after their feast ("A Real nice Clambake"), then prepare for the treasure hunt. While waiting to leave, Jigger makes a play for the innocent Carrie and puts her in an embarrassing position, much to the distress of Carrie's finance, Enoch Snow ("Geraniums in the Winder"). This is only met by derision from Jigger, who is joined by the girls ("Stone-Cutters Cut It On Stone"). Julie, however, takes a philosophical view of love ("What's the Use of Wond'rin'") as she apprehensively sees Billy and Jigger go off together.

 

It is the mainland waterfront an hour later. Billy and Jigger confront Bascombe but he manages to twist the knife out of Billy's hand while Jigger runs away with the police closing in on him, Billy climbs to the top of a pile of liirliKlaid stabs himself to avoid arrest. Julie arrives with the others from the clambake, and Billy, just before he dies, explains to her what pdrove him to do what he did.

 

Julie tries to gain courage by singing the  words on a sampler that she had sung in school ("You'll Never Walk Alone"), but she breaks down and Nettie has to take over. Two Heavenly Friends enter to escort Billy away, and  He defiantly insists that he be taken before the Lord God Himself, "The Highest Judge of, All" to pronounce sentence. was There;' Billy is brought to the Starkeeper who is perched on a stepladder hanging out stars on a celestial clothes line. The Starkeeper asks if Billy has left anything unfinished on Earth because, despite his sins, he can still get into Heaven if he performs a good deed "down below!' He further tells Billy that, because time passes so quickly where  they are, he now has a daughter, Louise, who is If if teen, and the two watch her running on the beach near her home. The scene shifts "Down Below." Louise is joined in a ballet by a carnival troupe and, as might be expected, she is attracted to one boy who is very much like her father. After the they have danced off, the boy flirts with I Louise, then leaves her alone weeping. When a group of children dance on stage on their way to a party, Louise tries to join them but is rebuffed and the miserable girl is again left all alone. Billy who has been watching all this from above, tells the Starkeeper that he wants to return to Earth to help his daughter. Just before he leaves with one of the Heavenly Friends, he steals a star from the Starkeeper's basket.

 

On the porch in front of Julie's cottage, Julie and Carrie (who is now Mrs. Snow and the mother of nine) are having coffee before going to the high school graduation. After they enter the cottage, Louise comes outside. Billy approaches his daughter saying he was a friend of her father and offers her a present of the stolen star, which the frightened girl refuses. Impulsively, Billy slaps her hand, and Louise runs inside. When Julie comes out looking for the stranger, she picks up the star that her husband had left on a chair as Billy, now invisible, sings "If I Loved You" reprise.

 

The final scene takes place outside the high school where the graduating class, including Louise, sits on three rows of benches, surrounded by families and friends. Addressing the graduates, the local doctor (who looks just like the Starkeeper) urges them to stand on their own two feet and to have faith in themselves as they face the future. To emphasize his words, he begins to recite "You'll Never Walk Alone" which is picked up by the singing students. As the unseen Billy pleads with Louise to believe what she hears, the girl's face lights up. A classmate sitting next to her puts her arm around Louise and they smile. Billy whispers, "1 loved you, Julie, know that I loved',' and Julie begins to sing. And Billy, at last satisfied that he has accomplished something worthwhile, is content to be led away by the Heavenly Friend.

 

Stanley Green, Author, Broadway Musicals Show by Show (Hal Leonard Books) Copyright 1987. Estate of Richard Rodgers & Estate of Oscar Hammerstein II

 

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